^ "Deleyaman – The edge: smadelijke nederlaag voor hokjesdenkers".^ a b "Multi-ethnic mixture of religious, film and dance music by post-punks".^ a b "CD-Rezension / Review / Kritik - "The Edge "".^ "Saint-Aubin-sur-Mer : Deleyaman a donné un concert à l'occasion du festival Pierres en lumière".^ "Paluel: Delayeman in filmed concert".^ "Click Interview' with Deleyaman: 'Music Is A An Honest Friend You Can Be With When You Are All Alone '".University of Arizona, USA: SAGE Publications, Inc. The SAGE International Encyclopedia of Music and Culture. Ī new album Sentinel, including contributions from Brendan Perry and Jules Maxwell, was released on January 17, 2020. In October 2018, Deleyaman & Jules Maxwell toured Ireland and the UK playing in Limerick, Galway, Lisdoonvarna, Carlow, Dublin, Dundalk and Portaferry and guesting on BBC Radio Ulster’s John Toal show. In 2017, Deleyaman’s cover version of "Bir sana Bir de Bana", the Turkish song originally written by the psychedelic-oriental dub band Baba Zula appeared in BaBa ZuLa’s 20th anniversary album XX released in January 2017 on Glitterhouse Records. It includes Brendan Perry of Dead Can Dance guesting as instrumentalist on two of the album's tracks. The following album The lover, The stars & The citadel, was released on November 18, 2016. The German weekly Der Spiegel has referenced the album on "Die wichtigste Musik der Woche" (The most important music of the week) section. The band’s sixth album The Edge, was released July 4, 2014. In 2009 Deleyaman released the first of their two part album Fourth, part one. Two tracks from Second "Battlefield" and "Black Rainbow", were chosen by the French actress and film director Fanny Ardant for the soundtrack of her 2017 film Le Divan de Staline starring Gerard Depardieu and Emmanuelle Seigner. The following albums entitled Second (2003) and 3 (2006) received wider recognition and were also to be released on the French label Editions Nech Records. The album was released in France and in Europe and received reviews and support from the underground musical press such as Elegy, D-Side, Obskure, Uncut. As much as we can, we try to remember these four names with the songs we made together.The band originally consisting of Aret Madilian, Beatrice Valantin and Gerard Madilian released their debut album 00/1, in September 2001 on Editions Nech Records, an independent world music label based in Paris.
But in the end, it would not be wrong to say that we are the children of the same neighborhood with all the musicians of that period. We worked together with him for a very long time. We were not only groupmates with Engin but we shared life with him. Losing Engin was of course very devastating for me. Let’s also mention our vocalist Aziz Azmet, who died two years ago. To have known him and to have shared the stage with him was very precious.īerkay: We gave our first concert on Dec. Karaca: Engin was a very important part of this team. But they are with us on our every journey, every concert and every conversation. Küçükbakkal: Unfortunately, as I joined the group in 2012, I didn’t have the opportunity to meet any of them. Our duty is to keep them alive with their songs. Their death is a great loss not only for us but also for the country. Öngür: All three of them were our dear friends. How did the deaths of Cem Karaca, Barış Manço and Engin Yörükoğlu affect the group? That makes me happy, not fame.īerkay: We are willing to be denied what we deserve but just don’t give us something that we don’t deserve. Öngür: Being famous should not be an important priority, the important thing is to make the world listen to our work. I think it is also a confirmation of the motto “from local to universal.”Įmrah Karaca: I think the Moğollar should already be world famous. Öngür: Of course, it’s not just nostalgia. Is it possible to describe this as just “nostalgia?”
Keeping this in mind, we determined the length of the songs and their order in the album. For example, for the sound quality to be of the highest quality, one side of the record had to be between 15 and 18 minutes. Kemal Küçükbakkal: Our priority in choosing the songs was to reflect the history of Moğollar in the best possible way, but some technical reasons were also decisive. For example, a music lover from New Zealand, who has never heard of Moğollar’s music in his life, will successfully pass the “introduction to Moğollar class” after listening to these two albums. We tried to produce songs of the band’s with its own genre.Ĭahit Berkay: Since this album will be released abroad, we wanted it to offer different sections from our 53-year-old history to someone who has no idea about the Moğollar. Serhat Ersöz: We selected the songs in line with Ertel’s recommendations. Taner Öngür: The idea for this album came up upon the proposal of the British production company Night Dreamer Records through Murat Ertel from BaBa ZuLa group.